Guildford & District Philatelic Society
Founded in 1943

 


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The Novice and the Hitman

Charles Smith takes a humorous look at planning a collection with some good advice about sources and costs.

 

Inheriting a small collection can help  

I remember my grandfather well.  He was a big rather stern man in the wool trade, a Victorian to his boot tips.  Oddly for so big a man he also collected postage stamps, not in a very determined way, but as they came to him through his connections in the wool trade. Unsurprisingly I was to find that Australia figured largely in the collection!  After he died I inherited his rather elegant stamp album.  By then of course I had a family of my own, and the album remained in the bottom drawer carefully wrapped and carefully hidden.  It might never have been opened but for Lawrence Block!  

Have you read “Hit Man”? Do read it.  Block’s hero is a hit man guided by a hard talking wise cracking Mum figure.  When things get a little fraught she recommends a hobby, reminding him that he collected stamps as a child, an unlikely idea for so tough a character. Well, to shorten a long story and to leave you to enjoy the quirky plot, he finances his collection by contract assassination - and I suspect that this where we say “don’t try this at home”.   

The Belgians – never on a Sunday!  

I was first amused, and then taken by a little story he tells of the Belgians who once issued stamps that had a tag at the bottom.  If you wanted the letter delivered on a Sunday you paid a little more and left the tag in place.  Otherwise in Sunday observance, no tag, and the postman kept the letter until Monday.  It sounded so improbable that out of curiosity I fetched out the stamp album and, good Heavens, grandfather had collected a couple of these odd Belgian stamps.  I was charmed - and hooked from that moment.  

I started to collect the Post Office’s monthly offerings, found others, began to put together a world wide collection.  But it all became much too big and I cast about for a better way to get involved. 

Beautiful examples of the engraver’s art  

Looking through Grandfather’s collection it came to me that some of the early Empire and Commonwealth stamps were actually the most beautiful examples of the engraver’s art, albeit in miniature.  A few minutes with a computer scanner and there enlarged on my screen were wonderful things, as much a revelation to me as Tutankhamun was to Carter. Here is an example from the West Indies .  Do you like it as much as I do?

 

    So now I had to have a plan and in the end it went like this:   

I would cut my serious collecting teeth on one or two countries only. 
I would choose a period and a country where the stamps were as beautiful as these. 
I would pick a small country with just a few stamp designs, so that I could have examples of each – not all the stamps mark you – that might be well beyond my purse.
I would choose one where there were few high values for the same reason.
And I would choose a cut off date – just as Block’s hit-man did – mine too was 1952; the end of George VI’s reign.
 

    Islands of the Commonwealth

I decided to look into collecting the stamps of the Commonwealth Islands and was astonished to discover just how far the British Empire had once cast its net – from Ascension to the Cook Islands , perhaps ten thousand miles between them.  An old atlas in which much of the world was coloured pink, and the Stanley Gibbon’s Commonwealth catalogue, soon produced a list. 

    Barbados was a good place to start, just 36 designs before 1952  

In the end I settled for Barbados of which you have seen an example, and Bermuda because it has beautiful ship stamps.   These two collections are coming together nicely.  I will tell you abut Barbados since that is where I started and your collecting might follow a similar pattern.  The first pages are for the stamps of the Victorian age.  Mine are of course thanks to my Grandfather, but stamps of the period are still widely available and surprisingly inexpensive. The Barbadians would have none of the pomp of Empire and sat their Britannia on a pile of sugar sacks!  Then the heads of Victoria as was right and proper, and next stamps celebrating her Diamond Jubilee.  These were not to be followed by the usual rather severe portraits of Edward VII or George V as you would expect, but by an ebullient procession of stamps bearing the badge of the colony – wonderful sea horses drawing a chariot across the waves. 

    Chariots with paddle wheels!  

Now note – the Barbadians change the face of the driver with each reign, first the queen, now the bearded king and finally the shaven king – you will have to look carefully. Did I say the horses had webbed feet? They do, and this set of chariots also has little paddle wheels.

To round off the group we have stamps celebrating the end of the First World War, carrying engravings of the Victory statue from the Louvre and another of Victory from the Victoria memorial outside Buckingham Palace where she stands today, freshly gilded. A few pictorials fit in here, celebrating the tercentenary – Barbados was settled in 1625 –and the island as it is now.     To bring us up to 1952 there are large and small stamps of George V and the same for George VI, all with tropical beaches and Palm trees, and of course our old friends the sea horses.  

Altogether there are just thirty six designs in our period, which is not too bad, and we can set about having examples of each.

    A word about those high values.   

In a Bermuda collection there is a set of so called key-lines by De la Rue, beautiful things in which the monarch’s head could be changed from reign to reign.  Stamps like this were used across the Empire and Commonwealth. Yes, they are expensive, but just one example from each reign will go into the collection for the time being. 

 

          

    Which brings us to sources and costs.   

First, you will need a catalogue.  Mine was second hand and cost very little but new research goes on all the time and I would recommend that you add the Stanley Gibbons Empire Stamp Catalogue 1840-1936.  There is enough detail here without being overwhelming.  An atlas is essential.  For this period find an old one in a charity shop because it will have the original names of many of these countries.  Buy a good magnifying glass and a pair of stamp collector’s tweezers.  Don’t buy an album yet.  That can wait until your collection has begun to take shape.  Instead buy a couple of stock books – W H Smith have nice examples in which you can move stamps around freely.

    Set yourself a budget and stick to it  

The cost of stamps varies hugely. Set yourself a budget and stick to it.   Out of your budget try to buy the best example of each stamp that you can afford.  There is a lot of helpful advice on this subject to be had from a little reading in your library.  In the end I did what I should have done in the first place and joined a local philatelic society. How welcoming they were!  There is sure to be one near you and I recommend it strongly. 

    Make use of the club packet system  

Most clubs have a packet system, under which members pass around their unwanted stamps often for a few pence at a time and here is the nucleus of your collection.  Stamp collectors are endlessly helpful to each other and my collection has grown through the kindness of friends.  I am sure yours would too. Stamp shops, approvals, catalogues are all available to you as your experience grows.

    Using E-bay  

Other sources include E-bay.  This is an excellent source of stamps but remember to set yourself severe limits.  With E-bay be patient and have a look at the lots for at least a month before you buy anything.  Similar offerings come along on E-bay all the time, so if the first lot isn’t within your price range there will certainly be others.  You can also use the internet to look around the auction houses for your chosen country.  Don’t be surprised at the prices for some of the lots, they are often for varieties, the best available, but many of these houses also provide beautiful photographs which you can use to identify your own material.  (And I have a chum who set up a virtual stamp collection – cost nothing!)

    But don’t do this at home  

As for those high values, the special varieties, the early pieces, they are all beyond my budget.  It doesn’t matter at all, I so much enjoy what I have ... but ‘er ... yesterday I saw a lovely example of that De La Rue key-line for Bermuda, glowing with rich purple and blue colours like some large exotic butterfly – perhaps now is the time for a little assassination?